The graphic novel winning the Pulitzer Prix of Art Spiegelman, Maus, is a benchmark with the Holocaust and the breakthrough in serious comics – but its complete achievements are more remarkable and eclectic. Art Spiegelman: Disaster is My Muse followed its beginnings in the 1960s as co-creator of Wackky Packages commercial cards; his co-founding of the magazines of comic strips underground arcade (with Bill Griffith) and Raw (with his wife Françoise Mouly); In the shadow of No Towers, his reaction to September 11, inspired by the attacks on his home in Lower Manhattan; Its controversial covers for the New Yorker (1993-2003) which prompted the NYPD to picked the magazine’s office; And his public response to the recent maus ban by a Tennessee school board. Spiegelman proves an eloquent guide through his provocative work, with contemporaries (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) inspired by the flawless confrontation of Spiegelman of personal themes.
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